Archtop guitars offer an element of style and tradition that leaves many guitarists longing for their very own. But for flattop-oriented players who cannot afford a guitar to accomodate each and every impulse, they may be unrealistic from a tonal and economic perspective. Despite the fact that archtops have been around ever since the 1890s when Gibson pioneered the structure and were made popular by early jazz and country greats such as Eddie Lang and Mother Maybelle Carter, the real acoustic archtop has had much less impact than its flattop cousins. There has been a wide range of highly regarded archtop luthiers over the years, including John D’Angelico, Jimmy D’Aquisto, and Bob Benedetto. And a point in time through the 1950s and early 1960s saw companies like Gretsch, Harmony, National, and Guild manufacture some prosaic but reasonably-priced instruments. In general, however, the acoustic archtop’s very high price level and dry, barky tonal signature have made them a luxury or novelty instrument beyond a small coterie of devotees.